It is easy to see why Mr Kadam settles for the picaresque village of Saint-Antonin-Noble-Val in Southern France, although a timely car accident certainly assists his decision when the family are left stranded and begin to sample the local delights. Lasse Hallstrom has an undeniable talent for depicting rural life on film, and the sumptuous settings of the French vistas act as both a beautiful background for his storytelling and a constant reminder of just how far from home the Kadam family have travelled.
The stunning camerawork isn't just used to emphasise the breathtaking scenery; a masterful tracking shot through the newly named Maison Mumbai as the family prepare for opening night showcases not only Hallstrom's playful nature but also that of his characters. Accompanied by an upbeat Indian song, this scene encompasses the vibrancy and vigour of a Bollywood feature, until the arrival of the seemingly abhorrent Madame Mallory puts heed to the proceedings.
It is not long before the eldest son of the Kadam family, Hassan (played by the charismatic Manish Dayal), begins to fall for Marguerite (Charlotte Le Bon), a rival chef from across the road, and both must face a number of tough decisions regarding their future careers and desires. Despite this potential romance it is the constant bickering between Madame Mallory and Mr Kadam that really sets the story alight, with Mallory's snappy retorts and Kadam's stubborn nature fanning the flames of warfare that eventually lead to various forms of sabotage.
A colourful, culinary blend of Bollywood spice and French high cuisine, The Hundred-Foot Journey is an affectionate and sincere depiction of two cultures setting aside their differences to combine their shared love of food. The charismatic cast and infectious Indian music are bound to charm audiences - even if there are instances where the film veers too far into whimsical territory - and there is no doubt that the food on show will leave you salivating regardless of the size of you popcorn bucket.